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Aperture Magazine af Aperture

Founded in 1952, Aperture has been described by leading professionals as “…the most serious and the most valuable periodical in the photographic world; a permanent testimonial to the great photographers of our time; essential for anyone who takes photography seriously.” Starting with the first issue in 2013, the magazine will be redesigned editorially to offer a sharper, more focused experience of great photography in print, contextualized with smart writing by leading curators, art historians, and critics. The magazine will have a contemporary new look and will increase in page count, while continuing to be produced to the highest production standards.

Community reviews:
https://magazineid.com/aperture-magazine/

.… (mere)

Markeret

Davidars | Sep 22, 2022 |

Cosmologies: (Aperture Magazine, 244) af Liz Johnson Artur; Kerry Manders; Geoff Dyer; Deana Lawson; Gesine Borcherdt; Rebecca Bengal; Xuan Juliana Wang; Kaelen Wilson-Goldie; Pico Iyer; Daniel Berndt; Ashley James; Brian Scholis; Emmanuel Iduma; Kong Pheng Pha; Shiv Kotecha; Casey Gerald; Sulem

Aperture magazine presents an issue exploring the idea of cosmologies—the origins, histories, and local universes that artists create.
Front
Agenda
Liz Johnson Artur, Tokyo: Art & Photography, Gillian Wearing, Mimi Cherono Ng’ok

Day Jobs
Kerry Manders on Catherine Opie’s industrious work ethic

Viewfinder
Lou Stoppard on visions of nightlife, from Nairobi to Ibiza

Curriculum
Geoff Dyer on Fred Eaglesmith, Dayanita Singh, and the pleasures of rereading Middlemarch

Words
Deana Lawson: The Conjurer
The great portraitist reimagines the world by revealing mystic truths
A Conversation with Greg Tate

Berlin Stories
How the divided German capital became Michael Schmidt’s life’s work
Gesine Borcherdt

Theo Eshetu: Infinite Screens
A prolific video artist considers identity and belonging
Emmanuel Iduma

The World of Judith Joy Ross
Through empathic portraits, individuals form a collective citizenry
Rebecca Bengal

Pictures
Return of the Light
For Anne Hardy, the River Thames yields ethereal photograms
Lena Fritsch

Galaxies
Batia Suter reinvents scientific books as lyrical assemblages
Brian Sholis

Mystic Parallax
Awol Erizku’s surreal visions of Africa and its diaspora
Ashley James

Carnival
In Colombia, Jim C. Nedd reflects on the visual codes of mythology
Daniel Berndt

Grayscales
Tom Sandberg’s meditations on absence
Pico Iyer

Cosmic Atlas
Tavares Strachan’s assemblages of colliding histories
Kaelen Wilson-Goldie

Good Night
Feng Li’s absurdist dramas on the streets of Chinese cities
Xuan Juliana Wang

My Grandfather Turned into a Tiger
Between Laos and Minnesota, Pao Houa Her’s memories and dreams
Kong Pheng Pha

True North
Dionne Lee’s intricate collages portray the poetics of survival
Shiv Kotecha

Southern Journeys
In the 1980s, Baldwin Lee made stars of his Black subjects
Casey Gerald

Genesis
Juan Brenner chronicles the glitter and gold of Guatemala’s youth
Suleman Sheikh Anaya

Back
Endnote
5 questions for Akwaeke Emezi… (mere)

Markeret

petervanbeveren | Jul 25, 2022 |